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      <image:caption>Dass Die Zauberflöte als meistgespielte Oper aller Zeiten gilt, ist kein Zufall. Hier traf schon immer hohe Kunst auf reines Vergnügen, Volkstheater auf alte Mythen und Anspruch auf Entertainment. Jetzt prallt Rokoko auf Street Culture und die geheiligte Hochkultur auf Beats &amp; Raps. Beim Mozartfest Würzburg 2018 wurde die Produktion ebenso bejubelt, wie beim Musica Viva Festival Bayreuth 2019 und einer einwöchigen Spielzeit im Prinzregententheater München.</image:caption>
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      <image:caption>Schon die Originalversion der Zauberflöte verdankte ihren Erfolg dem Zusammenprall von Gegensätzen: Mozart und sein Textdichter Schikaneder richteten sich bewusst an ein junges Publikum und setzten auf eine Fusion von Volks- und Mysterientheater. So ist Zauberflöte Reloaded eigentlich eine logische Übersetzung der Originalvorlage, doch vor allem eins: sehr fresh.</image:caption>
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      <image:caption>Der Berliner Dirigent und Opernregisseur Christoph Hagel hat bereits mit seinen bisherigen Projekten Flying Bach, Breakin’ Mozart und Beethoven! The Next Level große internationale Erfolge gefeiert. Sie füllen Hallen auf der ganzen Welt, und bringen nicht nur junges Publikum mit neuen, spannenden kulturellen Einflüssen in Berührung.</image:caption>
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      <image:caption>Christoph Hagel vereint Mozarts Oper mit der Jugendkultur des 21. Jahrhunderts. Während die zeitlose Schönheit des Originals unangetastet bleibt, prägt statt Wiener Volkstheater nun Hiphop die Handlung. Papageno rappt, die Protagonisten tanzen zu pumpenden Beats, Orchester, Operngesang und Hiphop fusionieren zu einem völlig neuen Klassiker.</image:caption>
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      <image:caption>Der Dirigent und Regisseur hat sich vor allem mit seinen Berliner Produktionen der zehn großen Mozart-Opern einen Namen gemacht. Dabei bewies er ein besonderes Gespür für ungewöhnliche Spielorte. Legendär wurden Die Zauberflöte in der U-Bahn, Don Giovanni im E-Werk und Figaros Hochzeit im Bode-Museum. Daneben setzte sich Christoph Hagel besonders für die Zusammenführung von Hoch- und Jugendkultur ein: Für Flying Bach erhielt er 2010 den Echo Klassik. Mit dieser gelungenen Adaption eines klassischen Komponisten mit Breakdance füllt er seitdem Hallen auf der ganzen Welt. 2013 wurde sein zweites, ebenfalls international erfolgreiches Cross-Over-Projekt Breakin’ Mozart uraufgeführt, und 2016 zwei weitere Produktionen Beethoven! The Next Level und Fuck You Wagner!. 2017 entstand Dancin’ Carmina und 2018 als Uraufführung für das Mozartfest Würzburg das neue Stück Zauberflöte Reloaded.</image:caption>
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      <image:caption>Seit vielen Jahrzehnten ein fester Bestandteil des Berliner Kulturlebens, bereisen sie mit ihren Konzerten vor allem den asiatischen Raum. Seine Abonnementskonzerte führt das Orchester in der Berliner Philharmonie durch. Mit Christoph Hagel verbindet die Musiker eine über zehnjährige Zusammenarbeit.</image:caption>
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